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Vale Andrew McMillan

Last night I saw Roslyn Oades' extraordinary 'documentary' play I'm Your Man, downstairs at the Belvoir. Based on interviews with boxers including Jeff Fenech and Billy the Kid, it was a portrait of life lived fully - if not always sensibly - and to the edge.  I was on my way home when I got a text from a friend. Our mutual friend Andrew McMillan, a writer, music journalist and unofficial king of Darwin, was no boxer, but he certainly lived life fully and to the edge, and not always that sensibly either - but no one who knew him could imagine Andrew any other way and we loved him for it.

I only learned he was dying of cancer ('Jack the Dancer' he called it in a prose poem) in December, when he'd already lived well past his doctor's predictions. We exchanged a number of emails and phone calls and texts over the last month of his life. He never complained of the pain. He preferred to talk about the album he was making of new songs and spoken word and to which the likes of Paul Kelly and Rob Hirst had contributed. He spoke of friends, Scrabble, the anthology of poetry he was hoping to finish, and the airplane models he was making - each model took about a week, and he was marking his life by them. He told me that a photograph I once took of him was his favourite, and that he was planning to use it, for either the CD or anthology, I can't recall. It's the one you see here.

Andrew got through those most difficult days on friendship, morphine, cigarettes, whiskey and weed. 'Would you believe some people have tried to convince me to give up smoking?' He laughed and I could hear him taking a drag on the other end of the line. 'Now?!'

On the 29th of December I texted him to ask how he was. He responded: '54 today and ready to party!'

An obituary on the website of the ABC describes Andrew as one of the Northern Territory's 'great eccentrics' and 'best contemporary writers'.

Vale Andrew.Andrew McMillan

Andrew McMillan 1957-2012

(posted 28 January 2012)

 

Happy Year of the Dragon

Happy Year of the Dragon! 龙年快乐,春节愉快!

As I wrote in Monkey and the Dragon, Dragon Years can be rather, how to say, eventful. Let's hope 2012 is on eventful's good side.

My first publication of the year is with the China Heritage Quarterly online, a wonderful publication with which anyone with an interest in China should be acquainted. This essay is about the delightful artists Huang Miaozi and Yu Feng, whom I was privileged to meet in China in the 1980s, and a recent exhibition of their work in the Forbidden City. There's a connection with Monkey and the Dragon, incidentally, as Huang Miaozi contributed the calligraphy for the title page. Here's the link:

http://www.chinaheritagequarterly.org/articles.php?searchterm=028_yiyuan.inc&issue=028

I hope you enjoy it.

 

 

Plea for Compassion

As many of my readers would know, from articles and essays I've written in the Australian press, talks I've given, or from my detention centre novel The Infernal Optimist, I am passionately -  compassionately - concerned about the treatment of asylum seekers in this country, which has been almost uniformly, bipartisanly disgraceful.  The mainstream media, for the most part, has too been slack at best and irresponsible at worst. As the recent, horrific tragedy of yet another boatload of people drowning on their way to Australia from Indonesia shows, it's a problem in urgent need of a solution. And as Robert Manne wrote in a recent column in the Sydney Morning Herald, perhaps those of us who have insisted on onshore processing of refugee claims need to reconsider whether there is indeed a better solution; if there is, it must be one in which offshore does not mean out of sight, out of mind, out of protection, out of rights. But neither of our main political parties seems interested in anything but removing the issue and the asylum seekers from sight.

One reason most refugee advocates like myself have consistently argued against offshore processing is that it isolates asylum seekers from the sort of vital, life-giving contact with community, volunteers, medical and legal personnel to which those who have their claims considered in Australia itself have ready access. My wish for this festive season and 2012 is that everyone take a step back from the politics and focus on the real people whose lives and whose rights are at stake, consider their common humanity and seek to arrive at a solution that respects that essential fact: my choice would be detention that is strictly limited to the time necessary to carry out health and security checks (three months maximum), followed by community release with the duty of regular reporting to immigration officials.

It's personal. My grandfathers were refugees from Russia, fleeing the Czar, forced conscription and pogroms.

The asylum seekers I visited between 2001 and 2005 at Villawood Detention Centre, whose stories helped to inspire The Infernal Optimist, are today Australian citizens, builders, taxi drivers, entrepreneurs, some of whom now run businesses employing several people. But there are several who were so damaged by long-term detention that they need ongoing support. This is not a theoretical issue for me, it's a human one. And so it should be for our politicians as well.

I've been talking about Australia's treatment of refugees here, of course but I'm sure there are readers in other countries who can relate. And if the issue is new to you, and you want the sort of unique insight that fiction can offer, I urge you to read (in addition to The Infernal Optimist of course!) Chris Cleave's Little Bee. It's funny, absorbing, beautifully written, suspenceful - and absolutely devastating.

Stephanie Dowrick's column on the subject in today's Sydney Morning Herald is also worth a read:

http://www.smh.com.au/opinion/politics/deadlock-on-asylum-issue-strikes-at-the-heart-20111226-1pah8.html

There. That's off my chest. I'll go back to writing my next novel now. Peace to all.

 

Occupy Wall Street (Ming Dynasty version)

I was doing some research for a book I'm writing on Beijing, and came across this quotation, by Zhang Tao of the Ming Dynasty (1368-1644), in Timothy Brook's wonderful The Confusions of Pleasure: Commerce and Culture in Ming China:

One man in a hundred is rich, while nine out of ten are impoverished. The poor cannot stand up to the rich who, though few in number, are able to control the majority. The lord of silver rules heaven and the god of copper cash reigns over the earth.

Zhang Tao wrote that in 1609.

Plus ça change, plus c'est la même chose. If only it weren't so.

 

Seasons Greetings

Dear Friends and Readers,

I hope this holiday season - whether you celebrate the solstice, Christmas, Hanukah, Diwali, or simply snow in the north or sun in the south - finds you happy and healthy and perhaps even a little bit wiser than before.

Cheers and be merry,

Linda

PS If you would like to give someone the gift of a signed copy of one of my books, please contact my wonderful neighbourhood bookseller, Richard Stern at Macleay Books in Potts Point, Sydney. He'll give me a call, I'll trot up the hill to his shop, sign it to whomever you like and he'll send it on: www.macleaybookshop.com.au or contact him on Facebook/Macleaybookshop

 

Party Time

Greetings! I've just returned to Australia after five weeks in China with loads of photos and background materials on Beijing history for the book on that city for Reaktion Press, as well as some fresh pre-New Year's resolutions, including to update this site more regularly. My biggest news is that the bilingual opera that I've written with composer Zhu Shaoyu, called Passion in English and 情怨 in Chinese, looks like it may finally get its premiere in Beijing at the end of next year. Fingers crossed. I'll provide more details when it's all locked in. Meanwhile, here's a link to the panel I chaired at the Brisbane Writers Festival in September on the subject of 'Party Time: Living and Working in China' that has been published on the ABC website: http://www.abc.net.au/tv/bigideas/stories/2011/10/18/3341582.htm

 

Brisbane Writers Festival

After several years of almost constant travelling, I've enjoyed being able to sit at my desk in Sydney and just write - it's funny that this should seem like such a great luxury to a writer but that's exactly what it has felt like these past six months. I'm working on two books - a new novel and a work of non-fiction - as well as some translations (subtitles for Chinese films, mostly). You'll hear more about these when I get closer to finishing. Meanwhile, I'm back on the road next month as a guest of the Brisbane Writers Festival. I'll be teaching two workshops (one on historical fiction and another on erotic writing) and participating in about five other sessions. Come along. It should be an excellent festival. Check out the program here: http://www.brisbanewritersfestival.com.au/. You can sign up for either of the workshops through the festival website. In any case, if you're in Brisbane, please stop by and say hello - I'll be signing books after each session.

 
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